Pop art digital crayons, Sketchbook, digital 1600 x 2000
Reminiscent of germs under high magnification of an electron microscope, this piece used stamping features by varying size, colour and transparency in the advanced option tab. Starting with a dark brown background helped make everything glow. The bus was bumping around making this one harder to do accurately.
Germs surface, Sketchbook, digital 1600 x 2000
Going to monochrome, this one is mostly grey scale with some dark neutral yellow mixed in. I overlaid as many brush tools as possible, ending with confetti-like spatters. Sometimes I keep overlaying things until there is no more possible...its the Jackson Pollock technique he used for drip painting.
Party favorites, Sketchbook, digital 1600 x 2000
At the Cancer research center I sat in the large, light-filled lobby and made part of this sketch, then finished it later on with textural and light-effects. The character is going down a staircase with bright sun coming in from a lush exterior. There was a simultaneous sense of both openness, and claustrophobia.
Visit the center, Sketchbook, digital 1600 x 2000
An art installation contained a tangle of matching ribbons wound up tastefully in a plexiglass case. I emulated the effect in this piece, which started with one ribbon, the green one I think, and then I tried to follow its shape as closely as possible with a succession of differently coloured ribbons.
Matching ribbons, Sketchbook, digital 1600 x 2000
Finally, I saw some graffiti on a door while riding the bus and tried to memorize its colours and textures. Using a variety of textural brushes and digital spray paint tools, I recreated a metallic surface covered in bright coral-red paint, complete with drips.
PJD26 drips, Sketchbook, digital 1600 x 2000






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