Scenes from Brazil

Real oranges have bright green skin with intense orange centers, which looked neat against the blue wall. Instead of tasting overly sweet, they are packed with zesty flavour. 

Green orange and blue wall, 5x7" watercolour 2026

This aloe plant grows in a rustic clay pot, illuminated by warm sun. A banana peel was placed next to it in the shadows. The bananas have incredible falvour and there are several different kinds.

Aloevera clay pot, 5x7" watercolour 2026

The view out the window has been filled with condo highrises, all beige and cream coloured. Slate roof tops are separated by a lush forest, with a busy highway in beween. 

Condo wall roof tops, 5x7" watercolour 2026

A buddist temple of Chinese culture is a popular tourist destination. Familiar red lanterns adorn the traditional pagodas. Loudspeakers played chanting and drums, with a strong odour of incense in the air. 

Red lanterns buddist temple, 5x7" watercolour 2026

Curio Folio: Inflationator

Normally I would never do this, but I was reviewing federal grants recently for a new program called Canadian Uninflation Research Devices (CRUD) grants, and came across one that was really interesting. I could get in a lot of trouble for sharing the contents of a grant proposal, so I did a watercolour painting to capture the idea. The device was called the Inflationator... the way it works is to walk into an area of high inflation, inhale all of the excess money, then expel the money out of its rear end in the form of hot air. In the example, the Inflationator could walk into a grocery store, bank, or any place of business, inhale excess money, make heat, and inflation would be reduced. It was a smart and simple idea when you think about it, very feasible. Since this professor will likely get full funding, I believe its okay to share with you, I ranked the grant #1 in the pile. Besides, you will probably start seeing Inflationators at local shops and banks near you soon.

Of course, the production of hot air is bad for global warming, and the Government is familiar with that (both the hot air, and the inflation), which was a drawback to the device. A secondary device, which looks like a small robotic dog, is being planned which can inhale the hot air and poop out money, which may defeat the whole purpose but would surely make for a popular household pet. If that ever comes out, it would make another good addition to the Curio Folio of things you have never seen, heard of, or even imagined. 

Curio Folio: Inflationator, watercolour 6 x 7.5" cold press, January 2026 

Curio Folio: Grant Press

If you are new to the blog, I've been posting paintings of things you have never seen before, its called the Curio Folio, which began with the interesting case of a petrified pop-tart. In this installment, I made a painting of a 19^th century device used by scientists to assist them in writing research grant proposals. You might think that artificial intelligence was only a modern invention, but print makers had figured out a way to put words on hand-held rollers which could be covered in ink and applied to sheets of paper. The contents of the roller was based on words that appear most commonly in successful research grants, with special attention to contemporary topics most likely to be funded. Famous scientist Dr. Thinkfast used this device to get a grant to invent the world's first fork-knife, and luckily the grant was successfully funded. The grant press was in a Plexiglas display cabinet at the downtown MARMALADE museum where photography is not allowed, but they allow paintings for personal study. Since I am a scientist, I asked them if I could visit after hours and test out the device, but they said I would have to write a research grant proposal first, before gaining access to the grant press. Ironic. 

Curio Folio: Grant Press, watercolour 6 x 7.5" cold press, January 2026 

Couple more paintings, slushy day

Where Decarie boulevard, which runs parallel with the highway, meets Maisonneuve, there is a five-way intersection. It used to be one of the most dangerous intersections in Montreal, but about 10 years ago they redeveloped it to be much safer for bikes, cars and pedestrians to co-exist. This barber shop is located near this corner, it had pictures of hipster dudes on the outside, I guess if you have a long beard in need of a trim its the place to go. 

Zanzibar Barber, watercolour 6 x 7.5" cold press, January 2026 

There was not much light left so I painted a scene of the Vendome metro main entrance, at least the top part of it. The idea was to get in some details like the reflections, textures, and concrete tones. The concrete was done with a mix of raw sienna (PBr7), green umber (PBr7) and indo blue (PB60) tinted with orange (PO62) and magenta (PV55) here and there. When dry, I dragged a dry-brush with carbon black over top, and added some dots to make the concrete look sweaty. After painting all 68 Stations of the Montreal Metro, I taught myself how to get these colours down. By the way, in the last blog I was wondering if the graffiti person KONG was still active.... some time this weekend, he and the notorious SLUK defaced the MOLSON sign on the brewery that I painted late last year. Here is the CBC news story. When I say that I painted it... thats with watercolours by the way, I am not the graffiti person!

Vendome front door, watercolour 6 x 7.5" cold press, January 2026  

Downtown, Lachine canal, Peel basin

Three of my favorite places to paint in Montreal: Downtown, Lachine canal, and the Peel basin! In the scene above, there was a protest in Phillips Square across from the old Bay mall, on st Catherine street. People were waving Iranian flags with the lion and crown in the center and chanting things in Farsi and English. A flock of pigeons flew overhead, a flying group of pigeons is called a 'flight of pigeons' by the way, while a police cruiser was parked by the curb. 

Flight of pigeons downtown, watercolour 6 x 7.5" cold press, January 2026

An old factory warehouse on the Lachine canal has been 'decorated' extensively by the graffiti writers including KONG, one of the original writers from the 1990's who may still be active. As usual I placed my initials and year in place of the graffiti... that is called 'biting' by the way, when you copy a graffiti artist's style. To paint something like that, the writer has to hang from the edge of the building with some kind of harness, and probably used a roller instead of a spray paint can for most of the work. The canal was starting to melt.

Lachine canal Kong, watercolour 6 x 7.5" cold press, January 2026

Its unusual for the ice to thaw in the middle of winter like this. With mild temperatures ahead it may start showing water again. The central element is where they hold the summer festivals like the Reggae festival, it used to be a shipping and receiving pier, while the background shows part of the Farine Five Roses building, actually the new Canada Maltage factory. To make that pale blue-green ice colour I use perylene green (PBk31) diluted and tinted with various cool paints like blue (PB15), green (PG7) and magenta (PR122, PV55). I  picked up more paper, a few tubes and brushes, at Avenue des Arts today in Westmount, Pierre was there, he runs the shop and also organizes a network of independent art companies around Canada. 

Peel Basin winter thaw, watercolour 6 x 7.5" cold press, January 2026 

Slushy day for a ride

With soaring temperatures the heavy snow turned into slush. That didn't stop the city from removing the piles of slush, as you can see in the painting, which was done along Maisonneuve avenue. Across the street you see me, riding my bike east along the path while the snow blower throws snow into a large dump truck. How did I paint myself? You may wonder. I had to study the trucks as they passed by, then set up on and angle, and paint an empty street essentially. I started by outlining the illustration components with a #2 paintbrush, then filled in with gritty colours and textures. 

Slush removal, watercolour 6 x 7.5" cold press, January 2026 

Where I lock my bike up outside of PERFORM Centre, there is a view of the sports dome, and in the foreground, large puddles accumulating. The asphalt is in bad shape here, but it contrasted neatly with the crisp white snow and dome. A red bike rack in the middle part provides just about the only saturated colour. 

Dome puddles, watercolour 6 x 7.5" cold press, January 2026 

Dusk J&R Autoshop

The sky was a shade darker, with a rich violet tint. I mixed the sky colours with indo blue (PB60) and pyrrol orange (PO73) along with dabs of blue (PB15) and raw sienna (PBr7). It takes some practice to get used to those colour combinations, which produce a wide range of purplish or yellowish greys. The red-white and green in the gas pump area made for a good pop against the drab background. Small details like tree branches and the gas pump patterns were painted after it all dried. 

Dusk autoshop side, watercolour 6 x 7.5" cold press, January 2026 

 

With heavy overcast clouds, the sunset was not visible but it was getting dark fast. This is a partial front view of Joe and Ralph Autoshop, the most painted business in NDG. It started snowing heavily so I retreated to the condo entrance way which is covered, and then finished the paintings inside. When painting such a scene, the value (relative darkness) between the sky and the lights has to be correct in order to convey the atmosphere. In this case, the sky was a pale grey-violet while the lamps were just white paper outlined in yellow or green-yellow. 

Dusk autoshop front, watercolour 6 x 7.5" cold press, January 2026