Night Goose

With night falling upon Montreal, this hopeful goose thought I might have some handouts. It seemed slightly mad to paint a goose at night under a lamp next to the Lachine canal, with a train bridge and creepy looking tree in the background. Eventually it wandered off. Geese fly up to Canada to feast on grass and insects, then fly back down south for the winter. There were lots of geese in Winnipeg, which was neat, I painted two geese flying over the red river. To do the grass I made a three-part blend of lime yellow (PY184+PG36), neutral green (PBk31 plus the lime mix), then dark green (PBk31 + PG36). When dry, I overlaid the grass texture using various colours so as to create the illusion of a lamp illuminating grass. As I painted this, the thought occurred to me: "What the heck am I doing?" Lol, I quite like this painting. 

Night Goose, watercolour 6 x 7.5" cold press, May 2026

Night paintings, pops of colours all around

Heading out into the evening and feeling a little down, I sought out pops of colours all around. Here, a lamp was illuminating the grass at dusk, just after sunset. In the back groud is the Atwater market tower, some city buildings, and the Lachine Canal in the middle. It was very moist and cool which made for lively watercolours tonight. 

Canal dusk lamp Atwater tower, watercolour 6 x 7.5" cold press, May 2026

This prominent graffiti on an old warehouse by the Peel Basin can be credited to P2EE, WAR, and FOST. I changed it to PJD26 though for the painting.. In the background is a new condo with a bright green light running across the roof, and other pops of lights from windows and lamps. I vary the light colours from orange to pale green, and bright green for the feature light on the top. The feature light was done with green (PG36), then a mix of green and yellow (PG36 + PY184), then a strip of paper showing through to give a glow-effect. Its tricky to do this, let alone when standing by my bike in the dark downtown. 

PJD graff downtown green light, watercolour 6 x 7.5" cold press, May 2026

I was standing under the train bridge where the canal path ends, and heads off to the Old Port. There is a bright lamp with LED white light making it possible to paint this scene, you see my shadow standing by my bike in the foreground. In the background I changed the sign to say Farine Five Roses PJD. That's one thing the graffiti people can't do... put their initials in fluorescent red light. 

Farine Five Roses PJD under bridge, watercolour 6 x 7.5" cold press, May 2026

On the way back I caught this view of a bunch of corporate office towers illuminated in red white and blue, which took me a second to understand.... its meant to support the Montreal Canadiens, bleu blanc et rouge! I used an abstract approach to get the idea down, and omitted the interesting trees from the foreground for the sake of time. It would have taken 20 minutes or so for this to dry enough, and I really just wanted to go home at this point. It was a nice cool evening though. I did one more painting that I will post separately, its kind of outrageous. 

Corporate passion, watercolour 6 x 7.5" cold press, May 2026 

Abstract paintings, remains of the tubes

As I use up paint tubes, I make sure to squeeze out every last drop onto the palette. However, the tubes can easily be cut open and there is more paint hiding in there. After collecting a bag of used up tubes, I started cutting some open, recovering what I can, and making these abstract paintings on weekends and evenings. This one is a hybrid of the words Magenta and Montreal.. The magenta shapes are supposed to be like people holding hands or shaking hands.  

Magentreal, watercolour 9 x 12" watercolour paper, April 2026 

With a lot of yellow tubes over the years, its the most used colour I have by far, I tried to use as much as possible in this painting along with orange, brown, and lime-green. Its like a 1970's era wallpaper or curtain pattern. Van Gogh used a lot of yellow paint, he was constanly asking his brother to send more. 

Mustard and Mud, watercolour 9 x 12" watercolour paper, April 2026 

Inspired by the rivers in Winnipeg which come together and apart as they meander, this painting used bright yellow surrounded by black, dark green, and dark red, with a chunk of bright green. The dark green and red are the perylenes... perylene green with perylene red. Despite having similar chemical structures, these two pigments are nearly opposite on the hue circle. So perylene green and red are together, chemically, but apart, visually. 

Together Apart, watercolour 9 x 12" watercolour paper, April 2026 

Winnpeg City, shades of beige

I mentioned it before in the blogs, Winnipeg had a distinct beige/tan/brown colouration. In fact, I ran out of raw umber, a dark chocolatey brown, and raw sienna, a sandy colour, on one of my two palettes. Lucky I fully loaded two palettes for the trip and had enough to get through. This scene shows the Oxford Hotel, on the right, with another distinct mid 19th century building on the left, which stretched all the way down the block. I posted this on location earlier. It was the second day in Winnipeg for me, and I was pleased to see a big blue sky and mostly clear sunny weather for the rest of the trip. 

Oxford Hotel, watercolour 6 x 7.5" cold press, April 2026

This scene had an impressive range of beige, ranging from a light cream off-white, to a tea-with-milk and caramel tones. It was a challenge to mix this colours, I used variations of raw sienna (PBr7), green umber (PBr7), burnt yellow ochre (PR102) and orange tints (PO62). 

Beige buildings, watercolour 6 x 7.5" cold press, April 2026

For some reason, this painting took me longer than usual, there were a lot of interlocking parts and perspectives to try and capture. I will just post the rest of the Winnipeg paintings in this blog, although I made a few cuts with paintings that did not quite work out the way I hoped. All in all it was a a surprisingly fruitful painting trip, surrounded by an Immunology Conference, or the other way around maybe! 

Brown buildings, watercolour 6 x 7.5" cold press, April 2026

Another tricky painting to pull off, this is a small hot dog and hamburger stand on Main street near the train station. It had a closed porch area, and small serving counter inside. A lot of people came and went to the shop as I painted. Cars rumbled by on the right. 

VJ's Drive In, watercolour 6 x 7.5" cold press, April 2026

This building seemed to be abandoned, but maybe it was apartments. On the facade, it said 'The Winnipeg' printed in stone, so it must be mid 19th century, or early 20th century. Perhaps it was once a hotel, given its proximity to the train station, just a few blocks to the south. The lower part of the facade had a colourful pink mural with a fish. 

The Winnipeg, watercolour 6 x 7.5" cold press, April 2026

Here is a close-up of the side of the Nutty Club candy factory, there is a panorama I posted earlier. In this version, I made the bricks look like little pink and yellow candies! The windows are also coloured differently to give the impression of candy. In real life, it was all cream-colour and shades of grey. 

Nutty Club close-up, watercolour 6 x 7.5" cold press, April 2026

Portage is the main commercial drag of Winnipeg, the hockey arena, and many shops and restaurants are up and down the strip. Looking at it from this angle, there was a lot of traffic. Most people drove cars in Winnipeg, just a few pedestrians like me here and there. 

Portage Street traffic, watercolour 6 x 7.5" cold press, April 2026

 

A group of people with Iranian flags gathered here on the weekend as I painted the scene of the Oxford Hotel. So I did a quick scene of one of the flags in the foreground, with an ornate building in the background. 

Iranian Flag, watercolour 6 x 7.5" cold press, April 2026 

Another overpass sky-walk, with a Tim Horton's in the lower right, although I changed it to PJD 26. I didn't paint people much on this trip, preferring to stick with landscapes and cars, with the occasional goose. There are some silhouettes up in the sky-walk here, behind green-tinted glass. That's it for the Winnipeg blogs for now, I might write one up on my thoughts on the colour palette of Winnipeg which was rather interesting. 

Overpass and Tim Horton's, watercolour 6 x 7.5" cold press, April 2026  

Scenes from North part of Winnipeg

Venturing along Main street to the North part of Winnipeg, I found some very charismatic scenery including this cannabis store. A large group of people were congregated outside of the store, they seemed very agitated, or excited to be there. I took a photo of this scene on location, although the people had all moved on by then. You see in the sky, I made it like smoke coming off a cannabis joint. 

PJD POT 26, watercolour 6 x 7.5" cold press, April 2026

Later on, I took a longer walk, along Isabel street from west to east. This scene was a typical row of mid-20th century houses, with the towering glass and brick sky-scrapers of downtown Winnipeg in the background. The houses had a lot of land around them, giant backyards, and enormous distances between houses along the road. Unlike Montreal, there are plots of grass and trees all over, although I saw development here and there, especially in China town, they were bulldozing old structures to be replaced with massive, higher density structures judging by the size of the foundations being built.  

Isabel street City View, watercolour 6 x 7.5" cold press, April 2026

 

A block from the last scene, and I found this bright blue-violet corner store with a canary-yellow house in the background, and a lime-green dumpster (typical of Winnipeg) stuck in the middle to the right. I had to paint it, even though it was a noisy, dusty street full of traffic. I didn't bother trying to make the angles too accurate, just to get the energy an feel of the scene onto paper. The blue was nearly pure indo blue (PB60). For the yellow I mixed benzi yellow (PY154), with orange (PO62) and green (PO36) and dabs of yellow ochre (PY43). That mix gets you a high-chorma 'baseball mustard' colour that plays well off the blue-violet. I was lucky in a way, I checked google maps, and just a few years ago, the buildings were boring beige here. 

Corner Stone Food Mart, watercolour 6 x 7.5" cold press, April 2026

 

It was time to turn back to the Hotel, but I wanted one more painting, and all I could see was a big lime dumpster with rust, and a Tim Horton's in the background. It seemed like, if you wanted to know what Isabel street was all about in North Winnipeg, this scene says it all! A little run down, but with everything needed to live, like donuts and coffee. The lime dumpster was done with bismuth yellow (PY184) and dabs of green (PG36), then over-painted with mixed of yellow ochre (PY43) and burnt yellow ochre (PR102). Burnt yellow ochre is actually the colour of rust red. A cubist-like composition adds to the feeling of chaos and immersion. I quite like this one, its the 'artist's choice' scene... PJD26 was scrawled on the dumpster in faux-spray paint. A fellow came out of the shop and dumped some trash in here, looking at me quizzically. 

Tim Hortons Lime dumpster, watercolour 6 x 7.5" cold press, April 2026

 

This one was posted earlier, I wanted to include it in this blog since it completes a story of my walks up in the North part of town. Its an ornately decorated marshal arts center, next to a group of community buildings. There were many indigenous people mulling about here, they seemed to be socializing and having fun on the street, living their lives. I was impressed with all the community services around the North, and did not see evidence of tent encampments or other tell-tale signs of homelessness that I see in Montreal. I think most people here have homes, and looked to be in good spirits.  

Ching Wu Athletic Association, watercolour 8 x 10" cold press, April 2026 

Winnipeg night scenes, moon

I posted a few night scenes earlier, here is one just before the sun went down. Since the conference usually ended around 6 or 7 PM, it was still light out until about 8:30, then it got dark, so I could make paintings after the conference program ended. This one shows a local corner store that also sells cannabis, although I changed the word to WEED in the painting so it would fit. This is on York Street, a block south of the Hampton Hotel I was staying at. 

Convenience Citi Corner, watercolour 6 x 7.5" cold press, April 2026 

Since the sky was clear most nights I could see the moon, almost full, hanging over buildings like this pizza restaurant. Called Pizza Hotline, it seemed to be very popular, this is on Broadway street also near the hotel. I stood under lights, on the wide divider between the roads. I wasn't sure about safety in Winnipeg at night, very few locals were out and about, but some people were loitering so I had to keep an eye out.  This painting can go with Moon over Pizza 88, super moon over Atlas Pizza, and Moon over Donut Store.  

Moon over Pizza Hotline, watercolour 6 x 7.5" cold press, April 2026

I wasn't sure what this building was until I checked later on the map, its the Manitoba Legislative Building. Reminiscent of a Parisian building, it was illuminated in pale orange lights, and had a striking yellow shape on the spire.  

Manitoba Legislative Building, watercolour 6 x 7.5" cold press, April 2026

Most of the large buildings downtown were connected with skywalks, pedestrian overpasses, that are no doubt intended for the winter. It also prevents crowds on the sidewalks. I wish Toronto would do this, its like dangerous walking around Toronto. Winnipeg however, was very walkable, and the traffic lights were well set, I never had to wait long to cross. Most people just walked across the street whenever there were no cars. 

Bus under overpass, watercolour 6 x 7.5" cold press, April 2026

This grand building is called The Metropolitan, or The Met for short. Its some kind of entertainment/conference center/hotel. The moon was nearly full against an inky blue night's sky. If I had more time in Winnipeg I would have revisited a few locations including this one. In real life, the colours were a soft coral and violet, with ornate architecture. But at least the painting gives a good feel for the scene. 

 Moon over The Met, watercolour 6 x 7.5" cold press, April 2026

 

Memorials and Monuments

Around the Human Rights Museum which I posted earlier, there are several memorial and monuments imbued with meaning. These crossing paths represent the Indigenous and First Nations people crossing paths with the Colonial people who came in and out of their lives, like the undulating path that crosses the straight path. I only knew this from reading a nearby plaque. The grass was a toasty orange-yellow with hints of green and yellow coming through. 

Crossing paths, watercolour 6 x 7.5" cold press, April 2026

 

The Peace Meeting site has a memorial to the victims and survivors of the residential school system. All of the accouterments were tones of black and dark brown, like the angled-brick wall, tiles, rocks, spherical pots, and benches. Even the garbage can was shiny black, which is different than all the other bins which were bright blue. The trees were preserved, you see one poking through a small patch of grass. 

Peace meeting site, watercolour 6 x 7.5" cold press, April 2026

 

A large patch of grasslands, maybe an acre, was preserved next to the Museum, thanks to a generous donor. More of the toasty yellow grass was punctuated by some green and brown. The walking path was packed gravel, the colour of raw sienna. I was surprised with the colour register of Winnipeg, that caramel-tint was everywhere, coming from the sandy earth. 

Grasslands, watercolour 6 x 7.5" cold press, April 2026

 

Here is a view of the side entrance to the Museum of Human Rights, like the entrance to an Egyptian pyramid, but with tinted glass overhead. I did the tinted glass with perylene green (PBk31), dark blue (PB60), and carbon black (PBk6). 

Side entrance Museum, watercolour 6 x 7.5" cold press, April 2026