Flower field Rue de la Montagne

I got out early today and did quite a few paintings, not sure how many, here is one from Rue de la Montagne (Mountain street), with the Bell Center hockey arena in the upper right background. I was at this small patch of land in the winter and it was a frozen tundra of course, so here its surprising to see how vibrant the place had become. Yellow, magenta, violet, bluish, white and orange flowers were growing in lush bright green grass. The purple-grey wall to the right, with my initials on it, that overlooks a highway exit ramp from underground. The late graffiti writer SCAN wrote there once, but the city paints it grey now. It was a great morning for painting, sunny and cool. I will scan and post the rest of the paintings when we get back from our friend Didi's child's birthday party this afternoon. 

Flower field Rue de la Montagne, watercolour 8 x 10" cold press, July 2026

Catalogue update, rainy day

 

With rain on the forecast I stayed home today and updated the catalogue, that is a spreadsheet with each painting named and listed since the start in 1989. So far in 2026, I am up to 568 paintings, on par with last year although I can paint a lot in summer time. The blog itself has more because of the digital art and the 'looking back' entries where I review old paintings from the archive. Oh, and I rip up a few of the bad ones every now and then which makes me feel good, and toss the bits into my hungry composter! In this painting, I tried to do the canal on a rainy day... there is a storm drain that comes out into the canal, you kind of see it at the center. From what I can discern, this storm drain is where a river used to run before they drained and piped everything up when building the Lachine Canal. So that little drain is what remains of the last river on the island of Montreal. 

I thought this painting was a disaster when I did it back in April, since I had to abandon the location, but now that I look at it, very cool. Glad I didn't rip it up. 

Rainy day Lachine canal, watercolour 6 x 7.5" cold press, April 2026

Campus flowers and glass death cube

With a bit of extra time before the first meeting I made a few paintings around the campus gardens. There is a commercial gardening group that uses the land to grow produce and sell it at a weekly market stand on campus. These bee bomb flowers were growing well, with some leeks I believe in the foreground. Milkweed plants were strewn throughout. 

Bee bomb garden, watercolour 5 x 7" cold press, July 2026 (No. 5374)

An old concrete barrier prevents cars from driving up onto campus from the north side. Yellow and purple wild flowers grow here, and a bright red cardinal bird landed briefly. 

Barrier no parking cardinal, watercolour 5 x 7" cold press, July 2026 (No. 5375)

This large triangular shaped garden behind Hingston Hall had a leafy green, then dinosaur kale, with sunflowers in the back. The sunflowers were all facing south west, towards the sun at this time of day. For all the flower paintings I applied the flower colours first, so as to keep them bright and clean, then carefully painted the green and brown around the flower shapes. In watercolour, you can not apply bright colours over top of earthy colours as in oil or acrylic painting. 

Sunflowers and kale, watercolour 5 x 7" cold press, July 2026 (No. 5376)

 

I've avoided painting this huge glass building in its entirety, the life science complex, since it was built maybe 5 years ago. Its kind of like the Star Wars death star, but in cube shape. 

Glass death cube, watercolour 5 x 7" cold press, July 2026 (No. 5377)

Yellow sky concrete factory, Lachine canal

With more wild fires burning up in the north, Montreal had a thin layer of haze tinting everything yellow. In this scene, done at the concrete factory down by the Lachine canal in ville st Pierre, you can see amber-tinted clouds and an eerie green glow from grass and foliage. Trucks were loading up with concrete. 

Yellow sky concrete factory, watercolour 8 x 10" cold press, July 2026

This factory worker was taking a break, trying to make a call on his cellphone next to rue st Patrick. I painted this at distance, standing on the same spot as the previous painting. I will try to do figure painting more often, although people never stay still for long! 

Factory worker break, watercolour 5 x 7" cold press, July 2026 (No. 5378)

 

Still the same spot, looking towards the rear of the factory, there were a lot of signs and pylons, with the parking lot on the right side. I put my initials on the right most stop sign, and year on the bottom corner. So you're like, he just put 26, where are his initials... oh they are on the stop sign. 

Factory signs parking lot, watercolour 5 x 7" cold press, July 2026 (No. 5379)

 

Where else can an artist paint such a scene? My favorite subject, the Lachine canal, sparkling and rippling, with a concrete highway overpass carrying several transport trucks. In the distance, a hazy yellow Montreal downtown skyline can be seen. 

Trucks over canal city view, watercolour 5 x 7" cold press, July 2026 (No. 5380)

 

Finally, these tall iron drums were rusted out, and someone spray-painted their moniker in lime-green paint with black detailing. With the yellow tint from wildfire smoke, the rust colour and the lime green colour really popped out. I tinted the clouds with yellow ochre (PY43) and used raw sienna (PBr7) a caramel earth colour, to give the impression of haze everywhere. Part of the canal is seen in the foreground. 

Iron drums PJD26, watercolour 5 x 7" cold press, July 2026 (No. 5381)

Scenes from park and river, windy day

I rode out to René-Lévesque Park, its the artificial peninsula near Lachine that creates the marina. In this scene you see one of the art-deco outdoor bathrooms, a curving bike path, and a few benches that look out onto st Lawrence river west direction. Three groups of flowers were seen, including orange-yellow, yellow, and violet. I used a hue-saturation-value (HSV) fade technique on the path. That is where a pale blue-grey fades to light cream colour. 

Curving bike path outdoor bathroom, watercolour 5 x 7" cold press, July 2026 (No. 5369)

Also in the park, this view is looking east towards Mercier bridge, with an old poplar tree in the foreground. Today everything had a yellow tinge from forest fires, and the river was greyish-blue. When the illumination is yellowish, blue surfaces become greyish. 

Mercier bridge poplar tree, watercolour 5 x 7" cold press, July 2026  (No. 5370)

Some peony shrubs grow on the point, complete with olive foliage and magenta flowers. Some red winged black birds were flapping around, chirping loudly. The whole park is populated with these birds, and other bird species including seagulls. 

Sparkling water red winged black birds, watercolour 5 x 7" cold press, July 2026 (No. 5371)

 

Here is the first painting I did on the trip, its an effort to capture the choppy, grey-blue water with earthy undertones. I mixed green umber (PBr7) with indo blue (PB60) and diluted with water, then used side-drag brushwork to create sparkle, then over-painted brown (PR102) yellow (PY43), and blue (PB15) ripples. 

Windy day river ripples, watercolour 5 x 7" cold press, July 2026

 

Last from the location, a quick and breezy painting of the park, with Lachine visible on the other side, across the marina area. I used the 'Cloud over Trenholme' style to render the clouds, that painting which was done in 2024 remains one of my all time favorites. 

Breezy day Lachine view, watercolour 5 x 7" cold press, July 2026 (No. 5273)

Looking back, Car seat in hay field, London Ont. scenes

As I paint on the backs of old paintings, I am taking the opportunity to scan and blog about the old paintings done from around the year 2000. For this painting, done on Highway 50 in Bolton, I drove out to an old disused farm and painted a car seat in hay field, with a dilapidated barn in the background. I also took a photo of the scene and did an expanded version which hangs in my parent's house. 

Car seat in hay field, watercolour 5 x 7" cold press, 1999?

Conveniently, the sign on the wall says Bayfield Hall so we know where this one was from. I lived there for about 5 years while doing a PhD at University of Western. I went through a realism phase, trying to turn myself into a human camera or something, LOL! 

Brown eyed Susans Bayfield Hall, watercolour 5 x 7" cold press, 200x

More interpretive, this apartment building is shades of blue, green and magenta, set against a row of pine trees. Its done up at the mall in the north, a neighborhood called Masonville.  

Apartment over trees, watercolour 5 x 7" cold press,  200x

This was always one of my favorites from the era. It shows a good variety of greens, with trees, grass, the electrical box, and a vent pipe off to the left. The colour mix for the electrical box was a combination of cerulean blue, rose madder genuine, and viridian hue.

Blue-green electrical box, watercolour 5 x 7" cold press, 2004?

Another good use of cerulean blue in the background elements, it created a nice atmospheric effect. The shades of brown were primarily from burnt sienna, while the water was probably a mix of cerulean blue and burnt sienna. 

Misty river, watercolour 5 x 7" cold press, 200x

I can tell from looking, this was a really early one, maybe 1997. I had a lighter touch to being with, then went heavy during the realism phase, and opened up again in recent times. I like the breezy feel of these early ones. 

London Ontario bridge vista, watercolour 5 x 7" cold press, 1997?

Looking back, London Ontario, vistas, flowers, path

Looking back on my paintings from London Ontario, done between 1995 - 2004, here is a vista view of Fanshawe lake. On one side of the lake there is a high cliff area, then it descends to almost water-level. A long path went around the whole lake. I was there with friends, and stopped to paint, then caught up to them later. I just mark these 200x, like around the year 2000. 

Fanshawe Lake blue, watercolour 5 x 7" cold press, 200x

Here I am standing on one of the bridges over the Thames river, looking back towards the downtown core and Art Gallery. Its the multi-arched structure center right. I fit in part of a bus stop on the right edge too, nice touch, and it helps anchor the composition. If you have a road going off the side of the painting it will draw the viewer's eye away from the center of interest so its best to visually block it off with something.   

City vits art gallery, watercolour 5 x 7" cold press, 200x

Up in the north part of London, apartment buildings were strewn about old farms. Perhaps nowadays its all developed? This old shack made for good subject matter, and I liked the contrast between a small shack in the foreground with huge apartments in the background. 

Apartments shack old farm, watercolour 5 x 7" cold press, 200x

This was probably a later piece, so 2004, because I stopped using cerulean blue so much, and also the brushwork here is excellent. Looking at this makes me think I have regressed in the last 20 years!

Lilac and magenta ground cover, watercolour 5 x 7" cold press, 2004?

Another neat composition, a tree shadow falling across the bike path. In the upper background, some rippling water from the Thames river. Its a cool painting. Since I just scan and show the best ones, its worth noting that most of the paintings from this era were... kind of lousy, maybe 1/5 were good. But it was a continual practice and trying to paint things that "I didn't think I could paint", then see the results. Some effects took me a decade to get right, and even now I have things to work on like reflections and transparencies. I've gotten better at perspective and cars. Painting 'people' is the last hurdle, including figures and portraits which I am currently not very good at.  

Tree shadow bike path, watercolour 5 x 7" cold press, 200x