Jardin du Luxembourg

Here is an old painting I did in Jardin du Luxembourg, Paris France, 15 years ago. At the time, I used burnt sienna (PR101) in mixes, which gave a warm glow to the overcast sky and autumn trees in the mid ground. It would be nice to go back if I get the chance.  

Jardin du Luxembourg. watercolour 5 x 7" cold press, 2011

Dorchester square scenes late Spring

Down in Dorchester square park the other day and I made a few paintings as the sun was still up. Here are benches arranged in a semi circle around a berm of grass and trees. An acre of interlocking brick adorns this park, along with a steady aroma of weed.

Arched benches, watercolour 5 x 7" cold press, June 2026

 

I found this solid looking canon to be in great contrast with delicate parasol-style umbrellas the city installed to make it feel more like Paris in the summer. Painting reflective iron required multiple layers and texturing to create the illusion of volume. Many people were enjoying the seating, the furniture is done in 'ice cream chair' style painted pale whitish green. According to google maps, these are Canons de Sébastopol.

Canons and parsols, watercolour 5 x 7" cold press, June 2026

 

Pink ground cover and yellow flowers provided a pop of colour against an otherwise green and brown background. My yellow paint got goopy on location and I actually ran out, had to find scenes with less yellow after this one! I just rinsed and reloaded my palettes at home, so I am ready to go for more when the opportunity arises. 

Pink and yellow flower garden, watercolour 5 x 7" cold press, June 2026

 

Yet more digital art !

If I keep this up I will have to rename my blog to Darlington Digital! I can whip off a bunch of these in short order, sitting on the couch or waiting for the dentist etc. This one started with a near-black background and used a variety of neon stamps and brushes to create a whirling electrical affect. There is a symmetry tool that replicated the brush stroke which allowed for some neat patterns. 

Sky eye twister, Sketchbook, digital 1600 x 2000

This one used mostly stamp tools with some some eraser applied over top. Colour schemes can be controlled by avoiding one colour in particular and using all the others. In the example, there is no green anywhere. 

X marks, Sketchbook, digital 1600 x 2000

Same idea with the colour scheme, no green, or blue for that matter. I drew hands reaching up with soft pastel brush, just varying the width of the brush to create fingers. Then circle stamps were applied in successive layers along with a few starburst stamps in white to create glow. 

Bubble trouble, Sketchbook, digital 1600 x 2000

An earthy approach, I also used lots of stamps along with various types of brushes and pens to create the foliage. Orange, yellow and green can go well with brown. The nice thing about digital art is you can overlap things and it works perfectly. Hard to do with paint, especially watercolour. 

Forest growths, Sketchbook, digital 1600 x 2000

And my signature piece, PJD, in neon turquoise over a textured brown surface. Sparkles were created with a variety of textured brush strokes, spatter, and dotting tools. Its like a piece of artwork you can eat, chocolate mocha icing with sprinkles on top! 

My name is, Sketchbook, digital 1600 x 2000 

Digital Tuesday, neon, pastel, splatters

Here are a few more digital sketches made using Sketchbook App on my smart phone. For this one, I set the background to dark maroon, then drew random shapes using the neon paintbrush tool. Varying the colours between yellow, white, red and cyan gave a neon look. The tool makes the glow effect automatically. 

Neon doodle, Sketchbook, digital 1600 x 2000

Going with another dark background, this time on the blue side, I stamped over a variety of colourful patterns. To change the stamp, one has to delve into the advanced feature, nib, then find the little pictures and there are about three dozen stamp varieties which can be further altered for shape, size and randomness. 

Tangle splatters, Sketchbook, digital 1600 x 2000

Starting with the default white background and some pastel lines, I over-stamped green splatters which caused negative effects. The initial lines look white where the splatters are green, I am not sure why that happened but it looks pretty darn cool. 

Pastel foliage swirls, Sketchbook, digital 1600 x 2000

Using soft pastel brush gives a chalk-on-the-sidewalk effect. Varying colours and aligning the brush-strokes gave a breezy appearance. Just the background seemed bland, so I overlaid a few smudge brush strokes on different angles to complete a windy feeling. I accidentally reversed the image, you see my initials mirror-image, just noticed now.... I guess the painting blew over!

Chalk line smudges, Sketchbook, digital 1600 x 2000

I forgot which brush this was in the background, it was from the texture essential menu. Concentric rectangles followed a roughly rainbow progression of colours. Smudge-brush over top was used to write my initials and a few random shapes. This one really felt like I was finger painting!

Smudge over texture, Sketchbook, digital 1600 x 2000

Paths and greenery

These large sun seats are perfect for relaxing and catching some rays. Interlocking brick and landscaping complete the scene. Dark magenta (PV55) provided a scintillating spring tint. I ran out of yellow paint, it was gloopy and clinging to the brush today. 

Curve path sun seats, watercolour 5 x 7" cold press, June 2026

 

Some metal artwork adorned this path, with plenty of greenery all around. The iron colour was done with burnt yellow ochre (PR102), pyrol orange (PO73) and dark magenta (PV55). 

Path iron post art, watercolour 5 x 7" cold press, June 2026

 

On the upper right strut a rare SCAN graffiti remains, protected from the elements. Although the city repaired this beam thereby covering the SC part of the writing. SCAN was a well known graffiti artist who passed away in 2017, this work was dated 2013. PJD wrote on the rest of the structure

Scan under bridge, watercolour 5 x 7" cold press, June 2026

Coral sunset, downtown night paintings

Riding my bike down Maisonneuve path and I caught a neat view of a coral sunset over Decarie. The highway was illuminated with artificial lights and car lights. The sunset was done with variations of orange yellow (PY110), red-orange (PO73) and magenta (PR122). Clouds were indo blue and pyrol orange with some raw sienna. 

Coral Sunset Decarie, watercolour 8 x 10" cold press, June 2026

 

This nearby auto shop had another expensive sports car in front, this time a Porsche. It was an old-fashioned coupe soft top model, but it turned out looking more like a station wagon in my painting!

Sports car auto shop, watercolour 5 x 7" cold press, June 2026

 

Using a technique I learned from a digital Sketchbook app, this painting has soft-pastel like brush strokes. Smudging also helped create an atmospheric night scene in the city. As usual I enjoy painting Metro signs. 

Downtown night lights textures, watercolour 5 x 7" cold press, June 2026

 

Standing in front of palais des congrès, the convention center, there were strong overhead lights to paint under. Across the street, a tall office tower had Google's symbol on top. It must be where all the search engine stuff goes. 

Google skyscraper, watercolour 5 x 7" cold press, June 2026

More interesting, this watering truck went by as I painted and watered all the plant potters along the Palais entrance. The truck drove off before I could complete the painting so I filled in by memory. Getting colourful reflections off the road was tricky, I used two layers, then some texturing at the end. I used a different approach for the blinking arrow sign, starting with orange dots, then outlining in a neutral orange, followed by a jet-black fill. It made the lights appear to glow. 

Watering truck night, watercolour 5 x 7" cold press, June 2026

Harley Beach

Down on Harley street in Westhaven neighborhood the city demolished an old apartment block revealing a sandy expanse reminiscent of a beach. Looking more carefully the other day, and I noticed a view of palm trees and emerald green water of the Caribbean sea! Who knew there was such a treasure nearby, this will surely boost tourism in the area.  

Harley Beach palm trees, watercolour 5 x 7" cold press, June 2026