After painting at the
Zen Factory location, I rode around the neighborhood a bit, its an odd mix of old single family houses, a few duplexes, in and amongst light industrial warehousing, auto shops, and equipment depots. This scene looks due northwest along Cabot street, the auto route 15 is just to my left, and you can see one of the bridge structures on the horizon. That building on the right has the "SCAN" mural on it, a tribute to a late graffiti writer of Montreal, I have
painted that a few times before.
Sundown on Cabot street, watercolour 5 x 7" cold press, September 2026
Here is a pickup truck with a trailer and a long shadow, parked on Cabot street. It was one of those 'challenger scenes' which meant I had to try it. The main issue is getting the drawing and perspective correct, and judging the final values. I started with the triangular sidewalk shape on the right, then lined up the vehicle's angle and perspective with a faint paint outline. Then I filled in colour blocks making sure to leave the highlight areas blank paper. There is no white paint in watercolour so you have to leave paper showing.
Pickup truck trailer long shadow, watercolour 5 x 7" cold press, September 2026
This auto shop specializes in large vehicles such as ambulances. In the background, there were some impressive trees, although one was clearly dead, seen on the left. To paint the big green tree I applied the sky first using a blue, green, orange fade (PB15, PG7, PO62), then while moist, I applied the tree colour using bismuth vanadate yellow (PY184) tinted with orange (PO62), dark green (PBk31) and black (PBk6) with brown overlay for branches (PY43 + PR102). It was quite fun to see the tree shape emerge from the sky in real time as I painted.
Ambulance auto shop, watercolour 5 x 7" cold press, September 2026
In the background you see a teal warehouse with PJD graffiti on top, part of auto route 10, and a huge pile of dirt in the foreground being illuminated by the setting sun. The main trick with this one was to get the blueish shadow correct in the foreground, it took a heavy mix of burnt yellow ochre (PR102), indo blue (PB60) and raw sienna (PBr7) over-painted with burnt umber (PBr7) and black textures. It can dry exceedingly pale, so I had to paint the shadow about 1.5 values darker than needed so it could dry this way.
Warehouse pile of dirt highway, watercolour 5 x 7" cold press, September 2026