Shadowed graffiti old port

This iron bridge crosses the Peel Basin where the Lachine canal ends. Its a busy bridge that carries local commuter trains, REM off island train, and VIA domestic Canada trains. Represented in the painting is a local commuter train, although I painted it mostly from memory since trains go by too fast to paint them. On the iron bridge someone wrote PSYCHO, a graffiti writer, but I replaced it with my initials. Underneath you see some water reflections. One of these days I will do a water-reflection themed trip. 

Commuter train bridge Peel Basin, watercolour 6 x 7.5" cold press, May 2026

This is the gear factory wall in Old Port... the factory is long gone, just four walls barely standing with the help of steel supports. Obviously a heritage structure under protection, it has a number of graffiti names on its stony wall. To paint the silver-paint, I started with a wet-in-wet circle of pale purple grey, then surrounded it in a dark brown made with indo blue (PB60) and burnt yellow ochre (PR102). That combo is very useful, it makes dark brown, and purplish greys depending on the ratio of pigments. Finally, I outlined in red, then used a hog's hair brush for some stippling texture. Its a realistic looking silver paint effect. In the background you see part of the Canal and some city-scape. 

Shiny graff gear wall, watercolour 6 x 7.5" cold press, May 2026

Looking through one of the windows on the Gear wall I caught this view of old silos, a warehouse, and off the the left in the background, the Canadian Maltage factory with its famous Farine Five Roses sign on an angle. I used a pale mix of indo blue x burnt yellow ochre to start off with, varying the tints with purple (PV55) and raw sienna (PBr7). Then I over-painted the silo with yellow ochre (PY43) to give a peeling paint effect, and finished with my graffiti initials outlines in black, yellow and red at the top of the silos. And I didn't even have to climb up there to do it! 

Graff silos Old Port, watercolour 6 x 7.5" cold press, May 2026

 

Ernest Cormier Esplanade, structures flowering trees

Across from the Canadian Centre for Architecture, in between the Fort street ramps, there is a wide expanse of landscaping and concrete structures called the Ernest Cormier Esplanade. I discovered the spot awhile ago this year, and have returned to see if the trees were making flowers yet. Its a good spot to paint, although the constant traffic on all sides can be a little noisy at times. This scene it looking at some of the odd art-installation structures made up of abstract architectural elements. I used my 2 inch hog's hair brush to do the stippling effect on the gravel. I started bringing it on my bike trips to do such effects on location. 

Ernest Cormier Esplanade watercolour 6 x 7.5" cold press, May 2026

Some trees were indeed still flowering, perhaps crab apple, they had white and pink blossoms. The wind was strong today and I could smell the flower aroma. I tried to keep everything light and bright here like Van Gogh used to paint. 

Flowering trees Ernest Cormier Esplanade, watercolour 8 x 10" cold press, May 2026

By close-cropping the composition, I created an abstract scene from surrounding elements on location. Above you see part of the off ramp signage that leads down to the highway, with a bus and car in the foreground. In the background is part of the Esplanade, with one of the bizarre art-installations looming. 

Off ramp architecture elements, watercolour 6 x 7.5" cold press, May 2026 

Digital pop art, patterns, stamps

Another batch of digital artwork made on Sketchbook app on my smartphone. This one is like the Rolling Stones go to the dentist. Say cheese.  

 

A pattern tool allows for textured wallpaper-like effects. It reminds me of an early drawing tool that I used on the original Macintosh computer back in the 80's, a friend of ours had one and I played around with it, first time using a mouse too. 

 

Purple haze on a tablet... in the central area I overlapped smooth and textured features, and figured out how to make small speckles. The frame and other elements are free-hand... or free-finger rather since these are all made with my indec finger. 

 

Initially made in colour, I changed it to black and white to emphasize the amazing textural variations. A stamping tool allows for the feathery-effects and paint splatters. Each feature tool can be customized to control size, density, randomization and even adjust how it looks with heavy or light press on the screen. 

 

More neon-effects done on a near-black background, its like an underwater deep-sea creature. I even signed on the bottom right with a violet neon pen tool. A dark-red thorny pattern was added in a single press using stamp tool. I kept redoing the thorn effect until it looked right. There is a handy undo feature which is obviously a big advantage to digital art. 

 

After establishing bright primary patterns in the background, I tried quite a few things until landing on dark blue pattern overlay. So there were no 'pen strokes' here, just multi-layered patterns, Bohemian-style. 

 

Digital art surrealism, abstract neon

Here are some more digital artworks made while travelling, using my smartphone with the Sketchbook app. This one was meant to evoke Maud Lewis, the late Canadian folk painter, and inspired by the tree-lined walkway in Winnipeg.  

 

In the background, I experimented with perspective... these features lock the drawing on a specified point perspective that can be set in various ways. It was tricky and needs more practice. Overlay created a music-feel to the artwork. 

 

Sitting on the airplane I made digital sketches including this pop-art inspired view in front of me. Keeping the top of the design cloudy gives a surrealistic feel. 

 

A party pinata exploding with confetti, candy and ribbons. By setting the background to cyan, it gave the scene a bright pop of colour. When painting (for real), this cyan colour is not possible, nor is the magenta. The closest paints are cyan green shade (PB16) and quin magenta (PR122). 

 

A hybrid of styles, its Piet Mondrian meets graffiti art. Piet Mondrian was a dutch artist known for grid-like compositions and primary colours. 

 

Discovering the neon-brush tools, this version of my initials is electric! It works best to set the background to near-black, then the neon lines pop off the screen. I also figured out how to add text, along with warping features. Sketchbook app is a lot more powerful than I originally thought, with many dozens of tools that can be customized, and that's just on the free version of the app! 

Flowers, path pylon, live band

Down next to the back patio at my Parent's house there are plenty of flowers growing including tulips, purple flowers, light blue flowers, and a few dandelions. Using lots of yellow (PY184) brightened up the scene. 

Flowers back patio, watercolour 6 x 7.5" cold press, May 2026

More wild flowers growing on the other side of the creek in the valley, but what caught my interest was a school of minnows darting under the clear water. Its good to see some nature returning to the creek like this, it was once a sterile rain ditch, over the years it eroded and meandered along until nature returned.  

Minnows in creek, watercolour 6 x 7.5" cold press, May 2026

An unlikely place to spot a pylon, on a path in the middle of a valley-forest. I was ready for it, having painted a lot of pylons in Montreal. This part of the path gets flooded regularly, so the city dropped it off to warn people. 

Pylon path forest, watercolour 6 x 7.5" cold press, May 2026

Some musician 'roadies' were unloading equipment for a live show up at the community center. They didn't seem to mind that I was painting a picture of them hard at work. We never did see the show, it seemed rather elaborate. 

Live band setup, watercolour 6 x 7.5" cold press, May 2026

Looking up towards the radio relay tower and Bolton water tower behind the community center, reminded me of 1996 when Mom took me to an art show up here, and we tried to sell paintings. Although none were sold that day, I made a bunch of paintings on the day... a few can be seen in this blog. Since that was almost exactly 20 years ago, it was interesting to compare the experience. I recall the challenge of painting outdoors back then, compared to now with all the experience I amassed especially in the last six years. 

Bolton towers, watercolour 6 x 7.5" cold press, May 2026

Sunset Turcot Interchange: C'est vraiment Montréal!

It was a colourful sunset on the Turcot highway interchange, as seen from ville st Pierre. Starting with yellow, orange, magenta, and pale blue, I worked up dark browns and greys with variations on burnt yellow ochre (PR102) and indo blue (PB60). Accents of pylon-orange, green, pops of red, and dark sketch elements done in carbon black (PBk6) completed the scene. As I flicked the brush, little droplets accidentally hit the painting, reminiscent of Jackson Pollock, a late American painter who threw paint on the canvas quite intentionally. When painting something like this on location, you just have to be along for the ride, so to speak, and let your brush do all the work. Its a great spot to catch the sunset, albeit a little noisy and smelly, along with the massive construction project that is ongoing. I really liked painting a juxtaposition of bright pylon-orange against a pastel sunset. C'est vraiment Montréal!

Sunset Turcot Interchange, watercolour 8 x 10" cold press, May 2026

Sun down moon up, sky colours

Riding down to ville st Pierre with the sun going down and I found myself at one of the many elevated highway ramps, this one in the west direction. The elevated ramps often catch the sunset, and concrete happens to look pretty neat when its illuminated in orange or red-orange. I did a fantastic one last year of the sun setting on Turcot interchange in st Henri area. In this scene, I emphasized the convergening shapes of the ramp and the access road, and contrasted coral orange, purples, chartreuse, and the emerald green pops of car windshields and traffic signs. Cutting through the pastels are bright-red tail lights on passing cars, done with the excellent pyrol red paint (PR254). 

Sundown off ramp, watercolour 6 x 7.5" cold press, May 2026

Here is a scene of one of the many factores-turned-condos along st Ambrose street. I am standing on the Lachine canal bike path looking across. Composing the moon low in the scene was an artistic license thing, in fact, the moon was hanging high today. With near-complete darkness and no artificial lights with me tonight, it was tricky to get all the colours right. Deep purple clouds were rolling in on the horizon. 

Crescent moon condo living, watercolour 6 x 7.5" cold press, May 2026

In among the soaring new condo towers downtown, there is a new dépanneur on Peel called dépanneur Peel, pretty original name eh? Again, I composed the moon low so as to include it in the scene, near a bright LED street lamp. I painted the yellows and oranges first, then over-painted with darker colours made mostly of burnt yellow ochre (PR102) mixed with carbon black (PBk6) or dark blue (PB60). When painting at night you have to hang in there because its hard to see the effect until the colour blocks are filled in, and only the white and yellow light sources remain. One of my favorite night paintings of the year is Night Goose. It has a lot of views already. I did another good painting of the Sunset over Turcot from st Pierre, I will post it separately. 

Dépanneur Peel crescent moon,  watercolour 6 x 7.5" cold press, May 2026