Winter is a difficult time to paint watercolours outdoors. When on location at -10 Celsius (that is 14 F!) the paint freezes, the palette freezes, and you butt freezes. Alcohol helps a bit, at least with your butt, but the main solution is to add salt to the water. Even so, the paint will dry with ice crystals leaving a frozen effect in the finished work which you can see if you click on the picture to zoom in. The paint handles more like a crayon than watercolour, and it is nearly impossible to make more than one layer or control the edges properly. Having said all that I love the way these paintings turn out, you really FEEL the cold when you look at this work. I even abbreviated my usual signature here as P.D probably because I was cold as **** having sat in my little camping chair for 20 minutes in freezing temperature. One little secret, most of the entire bottom half of this painting is just blank paper which produces the brilliant snow effect, and saves a bit of time.
Also cool, this is post number 400 for my blog!
5 x 7" watercolour, really cold press, (No. 455) 1996-1997
Saturday, March 25, 2017
Friday, March 24, 2017
Ile de la Réunion wish we were there now.
Here is another painting from the Ile de la Réunion in the Indian Ocean, done atop the old volcanic mountain on the North side of the island. This seemed to be a cafe or restaurant, I was just walking around that day looking for a place to paint and came across the scene.What grabbed my attention was the contrast in yellows and greens, and of course the spectacular ocean view.
Painting water is tricky using watercolours, which is a constant source of irony to me. At Réunion I really worked on getting the brilliant colours of the water right- towards the horizon the colour is more purplish, and then near the coast it seems more emerald green or deep blue. The middle tends to be a deep ultramarine. The sparkling waves are down by quickly dragging the brush across sideways. The other feature of this work is the sun-drenched appearance. The sun is like lemon drops rained down on everything. The umbrella in the foreground is four layers of paint to create the prismatic effect of yellow and shadowed yellow. While you would not know this by looking at the painting, I knew when it was completed that the colours were nearly exactly correct compared to the actual scene. Especially the amazing coral-peach tone of the building.
6 x8 " cold press water colour. 2011
Painting water is tricky using watercolours, which is a constant source of irony to me. At Réunion I really worked on getting the brilliant colours of the water right- towards the horizon the colour is more purplish, and then near the coast it seems more emerald green or deep blue. The middle tends to be a deep ultramarine. The sparkling waves are down by quickly dragging the brush across sideways. The other feature of this work is the sun-drenched appearance. The sun is like lemon drops rained down on everything. The umbrella in the foreground is four layers of paint to create the prismatic effect of yellow and shadowed yellow. While you would not know this by looking at the painting, I knew when it was completed that the colours were nearly exactly correct compared to the actual scene. Especially the amazing coral-peach tone of the building.
6 x8 " cold press water colour. 2011
Sunday, March 19, 2017
Art Gallery Underground
Art galleries are tucked away in alleys, hidden on corners behind a cul du sac, and in the Montreal underground! In this imaginary landscape there is an art gallery under the highways and roads and ever-present no parking sign that one finds in the city. In the background a futuristic dream condo where only purple cartoon characters can live. And no, I wasn't smoking or drinking anything while painting this. Well I may have been sipping some of that Brazilian tea we got from friends down south, what is in that stuff anyways?
Speaking of inspiration, these paintings are mostly based on doodles done while at work or away at conferences. The composition is put together when I sit down and start painting, same with the colour scheme. This year (2017) I decided to pause for awhile with the doodle approach and go with totally original designs and compositions. The difference is that I draw inspiration from my thought and feeling of the moment, rather than from thoughts and feelings from whenever doodles are made, which can often be 1 year or more in the past. I posted one result (Sympathetic Fire) and a new one is about half done now, it is not completed yet; it goes slower when waiting for inspiration to hit. I also pulled out my suitcase full of old paintings and will take a few scans of those to do blogs.
15 x 11" cold press Watercolour. 2016 (November?)
Speaking of inspiration, these paintings are mostly based on doodles done while at work or away at conferences. The composition is put together when I sit down and start painting, same with the colour scheme. This year (2017) I decided to pause for awhile with the doodle approach and go with totally original designs and compositions. The difference is that I draw inspiration from my thought and feeling of the moment, rather than from thoughts and feelings from whenever doodles are made, which can often be 1 year or more in the past. I posted one result (Sympathetic Fire) and a new one is about half done now, it is not completed yet; it goes slower when waiting for inspiration to hit. I also pulled out my suitcase full of old paintings and will take a few scans of those to do blogs.
15 x 11" cold press Watercolour. 2016 (November?)
Tuesday, March 14, 2017
Ile de la Réunion, interior valley
A while ago I visited this small island in the middle of the Indian Ocean called Ile de la Réunion off the coast of Madagascar located near Mauritious island. After a long and winding narrow road that snaked through the old volcanic mountains, you come upon a hidden valley only known to local farmers and informed residents of the island. The specialties of the region include breathtaking scenery, flavored rum, and a certain kind of smoke-able green leaf with spiky leaves that grows well in the tropical climate. Needless to say all of these things made for quite the experience which hopefully gets conveyed in the painting. The actual scene was a little less exciting than I wanted, so in the painting I used artistic license to amp up the colour scheme and play with the cloud cover a bit to make it look like a storm was brewing. The point of these adjustments was to infuse the painting with what I was feeling, not necessarily what I was seeing. Artists sometimes forget this aspect of landscape painting especially when painting from a source photograph rather than on location. I chose to emphasize the purple-yellow complements, and created scale using a small house in the foreground.
8 x 10" cold press, 2011
8 x 10" cold press, 2011
Sunday, March 5, 2017
Sympathetic Fire
Some say fire has no sympathy, but then again there is a fire burning inside of us every day. Food becomes power and heat through chemical reactions, the nervous system passes kinetic energy from brain to body, and blood pumps constantly. Studying and teaching physiology has taught me many of the details of how it all works, and I pass the knowledge along to students. In this painting I tried to convey the message of inner fire and organic energy using abstract shapes and flowing structures. Hopefully I pass along some ideas to the art fans out there.
While this is only a small painting, there was considerable detail and technique that went into it. The drawing has three layers superimposed on each other. The foreground has seven objects each with a different colour arranged from top right to bottom left. The middle layer has the abstract flames going from bottom right to top left, and the back layer has the viscera-inspired undulations that represent internal structure. The background was done by paining red and orange shapes and then overlaying the red with green, and the orange with blue-green. One interesting thing, I also saved this picture as a text file just for fun, and it got translated into a huge grid of numbers. I'll paste a bit of it below, kind of interesting to see wild creativity boiled into a bunch of dry numbers. Art meets Science.
8 x 10" cold press watercolour, March 2017
Bottom part of the painting converted into numbers!!
131.000 123.333 108.333 106.000 111.333 113.333 111.000 102.000 110.000 123.333 116.000 103.333 100.000 90.000 91.000 95.000 92.333 85.667 87.667 87.333 82.000 79.000 81.333 92.333 90.333 82.000 77.000 79.000 83.000 81.000 77.000 74.333 73.333 76.000 74.000 70.667 78.333 76.333 76.000 73.667 77.333 76.333 69.667 70.667 68.333 68.667 70.667 68.667 72.667 70.667 68.333 71.000 69.333 70.000 70.333 69.000 69.333 72.333 74.667 74.667 71.333 71.000 71.667 70.333 67.667 70.667 72.000 70.667 69.333 69.333 71.667 72.000 69.000 68.667 69.000 69.667 71.000 72.000 69.667 68.667 71.000 71.667 68.667 69.000 71.333 73.333 76.000 72.333 73.333 74.667 77.333 73.667 70.333 71.667 74.000 74.667 73.000 72.667 69.667 71.667 72.000 71.667 71.333 72.333 71.000 72.333 74.000 72.667 73.667 75.000 76.667 77.333 76.667 78.667 78.667 79.333 80.333 81.000 79.333 78.667 79.000 79.667 80.667 78.667 79.000 79.000 80.000 82.000 86.000 85.333 85.000 83.333 82.000 82.667 82.333 82.333 83.333 84.667 91.667 89.333 87.667 86.667 84.667 87.333 89.333 93.333 94.333 89.000 87.667 93.000 95.667 95.000 94.667 95.000 97.333 97.667 97.333 98.667 96.333 96.667 98.667 100.000 101.000 102.333 103.333 104.333 105.333 104.667 107.667 109.333 111.333 113.000 114.667 114.000 113.667 115.667 117.333 119.000 121.000 122.333 123.000 124.000 124.333 126.333 129.000 133.000 134.333 133.333 134.000 135.000 136.000 137.333 139.000 139.000 139.333 141.333 144.000 145.667 146.000
While this is only a small painting, there was considerable detail and technique that went into it. The drawing has three layers superimposed on each other. The foreground has seven objects each with a different colour arranged from top right to bottom left. The middle layer has the abstract flames going from bottom right to top left, and the back layer has the viscera-inspired undulations that represent internal structure. The background was done by paining red and orange shapes and then overlaying the red with green, and the orange with blue-green. One interesting thing, I also saved this picture as a text file just for fun, and it got translated into a huge grid of numbers. I'll paste a bit of it below, kind of interesting to see wild creativity boiled into a bunch of dry numbers. Art meets Science.
8 x 10" cold press watercolour, March 2017
Bottom part of the painting converted into numbers!!
131.000 123.333 108.333 106.000 111.333 113.333 111.000 102.000 110.000 123.333 116.000 103.333 100.000 90.000 91.000 95.000 92.333 85.667 87.667 87.333 82.000 79.000 81.333 92.333 90.333 82.000 77.000 79.000 83.000 81.000 77.000 74.333 73.333 76.000 74.000 70.667 78.333 76.333 76.000 73.667 77.333 76.333 69.667 70.667 68.333 68.667 70.667 68.667 72.667 70.667 68.333 71.000 69.333 70.000 70.333 69.000 69.333 72.333 74.667 74.667 71.333 71.000 71.667 70.333 67.667 70.667 72.000 70.667 69.333 69.333 71.667 72.000 69.000 68.667 69.000 69.667 71.000 72.000 69.667 68.667 71.000 71.667 68.667 69.000 71.333 73.333 76.000 72.333 73.333 74.667 77.333 73.667 70.333 71.667 74.000 74.667 73.000 72.667 69.667 71.667 72.000 71.667 71.333 72.333 71.000 72.333 74.000 72.667 73.667 75.000 76.667 77.333 76.667 78.667 78.667 79.333 80.333 81.000 79.333 78.667 79.000 79.667 80.667 78.667 79.000 79.000 80.000 82.000 86.000 85.333 85.000 83.333 82.000 82.667 82.333 82.333 83.333 84.667 91.667 89.333 87.667 86.667 84.667 87.333 89.333 93.333 94.333 89.000 87.667 93.000 95.667 95.000 94.667 95.000 97.333 97.667 97.333 98.667 96.333 96.667 98.667 100.000 101.000 102.333 103.333 104.333 105.333 104.667 107.667 109.333 111.333 113.000 114.667 114.000 113.667 115.667 117.333 119.000 121.000 122.333 123.000 124.000 124.333 126.333 129.000 133.000 134.333 133.333 134.000 135.000 136.000 137.333 139.000 139.000 139.333 141.333 144.000 145.667 146.000
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