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The trick to painting shadows is to avoid the use of black paint. The shadows in the Cordoba painting are a mixture of cerulean blue (an opaque sky blue), and a few touches of french ultramarine, aurelian yellow, and rose madder genuine (a transparent pink). This colour combination is similar to the one I use for the sky, but it has a little more of the red and yellow added. Notice how the colour of the shadow varies; on the wall facing you, the shadow is a colder purple, while the wall that is facing the tree is tinted with light orange (because of the reflected light from the other wall). I will talk more about painting light and shadows more in the future as this is one of the most important aspects of landscape painting.
Cordoba, White Wall Shadow, watercolour 5 x 7" cold press, 1998 (No. 0947)
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