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Producing these lighting-effects is complicated, but essential for art that really glows. To create the illuminated moon, I start by putting down a pale blue wash with a circle in the middle left without paint (the moon). To this wash, I outline the moon with a slightly darker blue tone to give the moon the illusion of brightness. Then I surround the pale blue wash with the darker blue/purple of the sky. The red colour of the city was actually placed first, and the dark sky was painted over top, creating the shape of the city line, and also providing a red glow in the sky.
What Does it Mean, watercolour 5.5 x 7.5" cold press, 2008 (No. 1721)
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