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I really went for a bright colour scheme with this one, aiming for rich rusty-reds and deep candy-yellows, intermixed with tangerine oranges (hence the name of the painting). To get these colours I used some high intensity colour glazing...this is done by laying down a wash of an unmixed colour (right from the tube, not diluted too much to keep it bright), letting it dry, and then overlaying with a thin second wash of neutral gray or green to keep it 'earthy looking'. The second wash can drastically change the appearance of the first wash. For example, the deep purple shadows cast by the character were initially a hot bright-pink, onto which I layered a cool blue to give the final shadow, which is electric and full of life. The main character began as a crimson red, to which I overlayed a thin green (the same combination used extensively throughout the Lab Book 14 mini series). Most of the yellows began as pure aurelian yellow, on which I put greens or browns to make the yellow cool, or warm, respectively.
15x11" cold press 2009
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