Side note, all of the greys were based on venetian red with variations including bone black, indo blue, or yellow ochre and it worked great, the venetian red is a dull earth red with slight granulation. When I say perfect, the colour of the path surrounding the tree was near identical to the colour of the actual asphalt. My long quest for painting perfect asphalt may be finally over.
The Montreal Birch Tree 4 x 6" cold press, watercolour, April 2021 (No. 2628a)
Above is a sample test of the graphite grey (PBk10) from Schmincke. The pigment is literally what is used in a pencil, but finely divided and prepared as a watercolour paint. It paints out opaquely and blends nicely with water for delicate graded washes. The reason I wanted to try this paint was to see if I could use it for making outlines, and also to attempt grey scale painting. When you omit colour, it forces you as an artist to appreciate value (light/dark). It should be a neat exercise to try on location if the subject matter is right, maybe an industrial scene.
Graphite Grey Test 0.5 x 5" (No. 2620a bottom )
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