World Claw, Sketchbook, digital 1600 x 2000
A simple line drawing was embellished with colourful splash stamps and a transparent grid. Airbrushing on the sides and open spaces gave an ethereal smoky glow.Pattern Spillover, Sketchbook, digital 1600 x 2000
This one started as a pattern arrangement in grey scale, with colourful neon electrical waves. Then I got into gradient fill and image tilt features, finishing with some well placed paint splatters.Dimensional broken record, Sketchbook, digital 1600 x 2000
Using a standard marker tool, I found an option menu and selected colour multiplier. Somehow it was taking the colour attributes (hue saturation value) and multiplying them where two brush strokes overlapped. I added a few black brush strokes here and there to balance the left side of the composition.
Colour multiplier, Sketchbook, digital 1600 x 2000
The colour scheme and patterns ended up looking like a Madonna rock video from the 80's... black, white, pastels, and mesh textures. To make images like this requires a sense of composition, its something I can feel viscerally. So my stomach and nervous system help guide artwork creation reflexively.
Material Grill, Sketchbook, digital 1600 x 2000





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