As I am painting on the backs of old paintings for awhile, some of the art is neat to 'look back' onto from my perspective after ~25 years has passed. This scene was done on a hiking trip around Fanshawe lake, London Ontario, you see a sail boat out there on the small lake, with rolling hills in the background. It was overcast that day, and I did a good job getting the correct shade of purple-grey on the water surface. I even see some cloud reflections in the water.
Fanshawe lake sailboat, watercolour 5 x 7" cold press, ~2000
Even back then, I had an eye for graffiti, here is a scribble on a structure in the middle of a parking lot that I changed to my initials PD. It was probably done some time between 2000 - 2002, I can only guess based on how I painted the sky and how much cerulean blue is in the mixtures.
Graffiti parking lot, watercolour 5 x 7" cold press, ~2000
Here is a tricky back-lit scene of the Thames river and its concrete embankments. Even today I could not do much better than this, although I would have cleaned up the edges, and got some more detail on the tree. For the blog, I cropped the paintings to make them look neater, I had a bad habit of painting the edges crooked.
Thames river embankment, watercolour 5 x 7" cold press, ~2000
I seem to remember this as being one of the last paintings I did in London Ontario, which puts it at 2004, and I can tell from the lack of cerulean blue in the shadows. I realized the cerulean blue was making a muddy mess of my shadows mixes and stopped using it altogether. In retrospect, shadows do not really contain any blue reflectance unless the surface is white or near-white, and the sky is blue. I wrote a blog called the
myth of blue shadows in 2020 when I realized this useful fact.
Red and yellow tulips, watercolour 5 x 7" cold press, ~2000
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