'Keeping busy paintings' are great to do when you want to keep busy. For example when it is -10C outside and you pants can freeze. Also paints, they can freeze too. I was cleaning the palette after my frozen painting, this time mostly the blues, greens, and a bit of yellow and burnt sienna. I like the contrast between the blue-green of the tentacles and the yellow-green of the background. The illusion of sub beams coming through murky water was created with a yellow wash and a few diagonal brush strokes.
Tentacle Aquarium 4 x 8" watercolour paper, watercolour, December 2020
These paintings are actually on the back side of the dust cloud abstracts. I am running out of paper again, at least the cuttings and back sides I have used for the past few months. With the stores set to close again after Christmas I will have to stock up. I used several iron oxide (earth) pigments for the painting, including siennas and umbers.
Earthy Abstract 1 x 7" watercolour paper, watercolour, December 2020
In this abstract, I created an imaginary landscape using some compositional elements of Hiroshige the great Japanese illustrator from the 19th century. He liked to include triangular elements at the bottom of the scene, like the berm of grass and outcropping of rocks. To make it fit with my lemon sunset theme, I included some yellow smiley faces in the rock near the curve in the path, a giant chicken-shaped apartment on the horizon, and the 3020 year signature. Next year I will label them 3021.
Path to the Lemon Sunset 5 x 7" cold press watercolour, December 3020
Thinking about how to paint in the winter...I discovered a blog called Citizen Sketcher when I was looking for tips
on how to keep water from freezing while doing watercolours. Of course,
a Canadian landscape painter would know something about it! The blog
mentioned alcohol and how it didn't really work to stop water from
freezing, but it did mention that you need a good pair of boots like
Baffin snow boots. I enjoyed looking at the art on the site, the artist
also makes location paintings in Montreal including a scene of Snowdon Theater
that I also painted years ago from a similar angle. After some more research, and drawing on my background as a scientist, it
looks like glycerol is the best bet- with 50% glycerol I could probably
do a painting at -30C, but in that case I'm going to need warmer
clothes!
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