I did eight large paintings today, July 10th, using up some
extra paint I had on hand. The tubes I finished off were PB27 prussian
blue, PB29 french ultramarine, PB15 phthalo blue, PY175 winsor lemon,
PR233 potters pink, PV19 permanent magenta, PR209 quinacridone red, and PR122 quinacridone
magenta.
Notes:
PB27
prussian blue, from Holbein, the lightfastness was only 2 stars which is bad
for a Holbein paint. It may also have aquatic toxicity.
PB29
french ultramarine, from Winsor Newton, I love this colour but it is
acid sensitive. I wont use it from tube in my main palette anymore, but I
still have a nice version in the Stoneground pan form for special
paintings. If I use ultramarine blue I will note it on the back of the
paintings from now on.
PB15 phthalo blue,
from Sennelier, this was slightly runny and very old, I bought it from
Sennelier Rive Gauche, 2008, it was old when I bought it!
PY175
winsor lemon, from Winsor Newton, I love this colour too, a transparent
yellow, but it may have ligthfastness issues, although it seems to
depend what source I read. It was also redundant with my new vanadium yellow,
and the benzimida yellow.
PR233 potters pink, from Winsor Newton,
hey I had fun with this paint! But, it had so much gum arabic and
dispersant that it did not mix well with anything. The colour on its own
was okay but not so useful for landscapes. This is a pigment meant for ceramics, but adapted to watercolour. Probably good for florals.
PV19 permanent magenta, from Sennelier, a very dark rose-red with
granulation. Love this paint, but the Sennelier formular contains a lot
of honey, so it turned into a syrupy mess in this extreme summer heat. I will
replace this paint with another company maybe ShinHan PWC or Daniel
Smith.
PR209 quinacridone red scarlet. Also from Sennelier, a very old tube bought the same time as the PB15 on Rive Guache (Paris). It wasn't runny, its just that I have a newer version from Holbein, called quinacridone red cherry.
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