When I saw the saturated red fire hydrant with yellow-green cap and orange-yellow snow marker (when the snow falls this allows the hydrant to be found in the winter if its needed), then I knew it would work, along with the cinder block textures, barred window, and one of many air conditioner units. Painting something like this on location leaves no room for errors, I had to establish the outline with a small brush, then fill in the details before applying a pale yellow wash, letting it dry mostly, then applying the turquoise layer which really pulled everything together. I added the letters 'SCAN' in the center of the composition which is barely discernable, but that was the idea.
If you want to know more, or see the work of Scan, I found a link telling the whole story on a web site called wall-2-wall Montreal. Reading that link, I learned that graffiti artists prefer to call themselves 'writers', and they produce burners, tags, and throws. I don't know what those words mean but I'll look into it. Hey, if there were ever a wall to paint on (legally) I would be up for it. Check out The End of Art is Art (Ecipse Flowers). I did meet a 'writer' once, he was walking along the train track path when I painted Train Crossing, in fact, he talked to me for awhile and admired the painting and told me he paints on walls, I had included him in the Train Crossing painting, just a simple blue-clad figure in the distance.
Tribute to Scan, watercolour 6 x 7.5" cold press, October 2025
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